This performance is supported by Saint Arnold Brewing Company.
There’s an honesty and understanding of self here that feels refreshing, especially amid so much fingerstyle traditionalism. – Pitchfork
ABOUT HAYDEN PEDIGO
So run the reels of The Happiest Times I Ever Ignored, Pedigo’s sixth studio album (and second for Mexican Summer) in the cinema of your ear; its script written in steel-string, its starring director a 28-year-old performance artist, politician, model, and fingerstyling maestro whose talent is as irrepressible as it is undeniable.
Pedigo has lived many lives, having been homeschooled in Amarillo, Texas by his truck-stop preacher father; run for Amarillo City Council in 2019, aged 25—as documented by Jasmine Stodel’s SXSW-premiering, PBS-acquired film Kid Candidate—and struck up pen-friendships and collaborative partnerships with the likes of Terry Allen, Charles Hayward (This Heat), Werner “Zappi” Diermaier (Faust), and Tim Heidecker. A move south from Amarillo to Lubbock in 2020 put a spark to the powder keg of his creativity. “It’s even more flat, desolate, windy and dirty – like being on Mars,” Pedigo observes. “It’s pushed me to create more because there’s not really much to distract.” The move produced not only The Happiest Times and its predecessor Letting Go, but also an Internet presence that showcases a panoply of ever-more outlandish outfits and an effortless deadpan wit. Both the former and the latter helped parlay him into the fashion world, too, having walked the runway for Gucci and been photographed by Hedi Slimane.
Citing a “rigid relationship with guitar” in which he has only slices of time to adequately express himself (“I have a five minute window to do something meaningful, and if it doesn’t come within five minutes, then it goes back in the case”), Pedigo wrote each song separately, start to finish, one by one. When an album’s worth of songs had been written, he undertook an intense regime of rehearsal, playing and replaying ‘The Happiest Times’ on a loop, testing his technical ability, always striving for tighter, purer and more concise iterations. “I want to create something very melodic, and then put it behind a barbed wire fence,” Hayden reflects. “If you’re gonna get this pretty thing, then you might get cut up trying to get to it.”
At their most profound, Pedigo’s spacious, pristine soundscapes communicate an essential truth about the pursuit of artistic perfection. Creating The Happiest Times I Ever Ignored was, he surmises, a process akin to “the dog chasing the mail truck – what do you do when you catch it?” Learn more at instagram.com/amarillohighway.
ABOUT THE 1859 ST. JOSEPH’S CHURCH
The oldest German Catholic Church in Texas and the oldest wooden church building in Galveston, St. Joseph’s, was built by German immigrants in 1859-60. Bishop John Odin, the first Catholic bishop of Texas, recommended that a church be built for the German-speaking Catholics of the growing city. The church was dedicated in April 1860 to St. Joseph, the patron saint of laborers. It is one of the few pre-Civil War buildings left on Galveston Island.
ABOUT GALVESTON HISTORICAL FOUNDATION
Galveston Historical Foundation (GHF) was formed as the Galveston Historical Society in 1871 and merged with a new organization formed in 1954 as a non-profit entity devoted to historic preservation and history in Galveston County. Over the last sixty years, GHF has expanded its mission to encompass community redevelopment, historic preservation advocacy, maritime preservation, coastal resiliency and stewardship of historic properties. GHF embraces a broader vision of history and architecture that encompasses advancements in environmental and natural sciences and their intersection with historic buildings and coastal life and conceives of history as an engaging story of individual lives and experiences on Galveston Island from the 19th century to the present day.